Whether you’ve seen it on your Instagram feed or in real life at a hip hotel, the hand chair always leaves a permanent impression and begs the question: what’s the story behind the design? With the palm as the seat, and fingers pointing upwards to serve as the back, a quirky chair has remained popular since its formation in the early 1960s. “Like fashion, many home trends cycle every 20 years or so, vice leader of merchandise at Chairish. “What’s motivating is that this chair is always in demand. Contemporary designers have surprisingly used it in many different settings, such as French antiques and tapestries. It’s a piece of sculpture that works anywhere.”

Whether you find these chairs extraordinary (or slightly peculiar and thoroughly eye-catching!), keep reading to learn about the history behind the hand chair below.

Who Created the Hand Chair?

Though there were versions of pass chairs made in earlier cultures, the modern hand chair was designed in Mexico by surrealist artist Pedro Friedeberg. He was natural in 1936 and fled to Mexico from Italy with his parents through World War II. The artist hired master carpenter Jose Gonzalez in the early ’60s to slice the first chair as mahogany. Due to its fantastic and practical mix, the hand chair became a cultural phenomenon. Friedeberg developed many variations, including untreated wood, silver leaf, black, white, or red paint. Today, Friedeberg’s work is in the enduring collections of the Los Angeles County Museum of Art, the Museum of Contemporary Art in Chicago, the Smithsonian American Art Museum in Washington, D.C., and many more.

Why is the Hand Chair Popular?

Because of its fanciful shape, the hand chair still manages to look fresh and unexpected to a whole new generation of homeowners, . It’s evenly at home in a formal living room as in a kid’s room. What I find so pleasant is that it works with any style. It’s a big piece of sculpture, and sculpture is more popular than ever. “It’s an additional room of this fashion.”

Where can you buy a Hand Chair?

As you’d expect, several copies of the artist’s work have made through the years, including hand chairs made of plastic, teak, and honest. An original Friedeberg formation will set you back $20,000 to $30,000 this existence if you can locate one; his name burn into the base, so you’ll identify it’s his work. But reproduction from the ’70s, ’80s, and ’90s can be found for a few thousand, while less expensive modern copies are obtainable for a few hundred dollars. Online auctions and era food are great places to look for this piece.

This Artists Jam-Packed Mexico City Townhouse Is Clean Bliss

love objects,” declares the Mexican artist and designer Pedro Friedeberg. “Scarce objects, odd objects, kitsch objects.”

That charm has filled every inch of his townhouse in Mexico City’s central Roma district, which is the stage for his lively and eccentric presence. In a warren of rooms extended by mirrors, he displays his unsettling numerical drawings, architectural models of impossible towers, and the provocative furniture for which he is known alongside the collections that feed those visions.

Friedeberg Believes the Reason for a Home ‘is to Make you Laugh.'”

They might be flea-market curiosity, like old toys or the “pseudo-colonial sculptures” of angels that he remakes into bizarre multi-limbed statues. Or they may be cheeky appeals to his sense of the absurd, like the jar of false teeth on the side of a display table.

Friedeberg describes his vision as a reply to the stark modernism in his youth. When he studied architecture in the 1950s. Le Corbusier’s functionalist saying that a house is a “machine for living” held sway. By contrast, Friedeberg believes that the purpose of a home “is to make you laugh.”

In the untimely 1960s, he was part of a Mexico City movement of artists and architects, the Fed-Up Ones. which removed the period’s functional logic in favour of parody and irony. Explains Friedeberg’s curator, Alejandro Sordo, in La Casa Irrational, a recently publish a retrospective of the artist’s work. Friedeberg’s most famous piece, the Hand chair, emerged from that time.


It prevents excess fidgeting, an essential element for concentration. It allows the correct sitting position – with backs supported by the chair and feet firmly on the floor.

Research shows that slouching and similar postures while sitting can get origin backaches, headaches and poor concentration. Ergonomic chairs are more comfortable than hand chairs since they are user-friendly.